|Next Saturday, the first day of July, the Bram Cools album ‘Safe Happy Christian Music for the conservative middleclass’ will be released through my bandcamp page. It will a ‘choose your own price’ release, and if enough people ask me for it I might make some kind of physical CD-R release too.
More about the album
Don’t be fooled by the title, ‘Safe Happy Christian Music for the Conservative Middleclass’ is not only a rough collection of weird lo-fi folk songs that often go in unexpected musical directions, it is also a a bit of a spiritual concept album that is designed to make people uncomfortable at times. (It even makes me uncomfortable 7 years later, and that’s not because of the musical errors and out-of-tune moments.)
While the music is inspired by the words of Christ and the New Testament, so you can be certain there’s nothing safe or middleclass about actual Christianity. If you take these things seriously seriously you’ll end up closer to nonviolent anticapitalist green anarchism than to a cage of safety, Mammon and the quiet desperation of adulting under peer pressure of those with shiny toys and life-sucking jobs…
As said before it’s not really a new album, but an older project that only got finished now. ‘Sell everything you have and give it to the poor‘ was meant as its first single together with ‘Stephen, they’re gonna stone you to death’ 7 years ago, but the album never came… It grew out of a set of songs songs that I started writing at the moment that my band the contemporary Christian Muzak collective (CCMC) was falling apart, almost 10 years ago. Mandolin and melodica are very prominently present on the album, but apart from that I do switch instruments all of the time, and the role of electronica if present is generally rather small.
Most of these songs were almost completely recorded but never finished when life happened and prevented them to be completely finished, and so they took a long sabbatical on my harddisk instead of being released ‘soon’ as I promised 7 years ago. Musically there still is the pre-cyberluddism approach of playing a lot of instruments myself rather than programming them as I did on later albums, which gives a more folk and at moments even rock feeling, and there is a lot of experimentation going on which sometimes gives a noise-feel. While most of these songs have just been hiding on the computer, a few of them have been played live, and the sing-along classic ‘sell everything you have and give it to the poor’ fastly became a concert favourite.
The playlist will be:
1. Ouverture 02:07
A slightly Sufjanesque semi-instrumental ‘ouverture’ in 5/8 on mandolin and melodica, which sets the atmosphere for the more folky parts of the album. Probably one of the more safe and happy pieces on the album, even though it’s written in an uneven meter and minor key. (Hear an older mix of it on soundcloud)
2. Sell everything you have and give it to the poor 04:4
This undoubtedly is the ‘hit’ of the album. Based on a very minimalist chord scheme derived from traditional American folk music, this proves to be a live hit and sing-along, even though the lyrics are rather controversial, and much more Christian than safe or middleclass. This arrangement is based on mandolin, percussion and sometimes a heavily distorted slide guitar, and it still echoes the CCMC atmosphere.
3. Gentiles 03:28
This is an older song that has been online in different versions for years, probably both weird and unique and yet typical for the older Bram Cools indiefolk style, with the typical melodica, and a heavily distorted small African drum and stuff like that. Also a protest song about how religion often misses the point. (older mix on soundcloud)
4. You were hungry 02:43
Here we depart from the folk for a rather freaky experimental kind of lo-fi noise that was originally just built on endless layers of delay on vocals and some claps. For later version the original has been sampled and re-arranged, and spiced up with some electronics. The music is meant to be uncomfortable as a support of the lyrics, which are taken straight from Jesus’ words about social justice, care for the least and judgment… Very safe and middleclass…
I hope to be able to play this live one day with an actual theremin… (older mix on spundcloud)
5. No more lilies in the field 04:47
With this song we’re back to folk music of the more psychedelic kind and to the first actual guitar song. Different layers of percussion, folk instruments or reversed sounds come an go in a song structure that doesn’t really follow a verse-chorus-verse pattern. To stay in harmony with the other songs it’s alos a protest song against commercialisation and Americanisation of religion. (lyrics video on youtube)
6. Don’t kiss me 03:27
This was the first song of the album to be ready, and thus it ended up on my compilation album ‘I am the Belgian Christian lo-fi scene’ as a very new song 7 years ago. A song about love (or the absense of it), and again an indie-folk song. The mandolin is back, and so is the 5/8 meter. If the album were an actual LP this one would close the A-side. (‘I am the Belgian Christian lo-fi scene’ version on bandcamp)
7. Stephen, they’re gonna stone you to death 03:3
The B-side of the LP (also the B-side of the ‘sell everything’ single) starts with a distorted slide-guitar, and then everything goes weird, but in a very slowed-down and relaxed way. There is a guitar-noise feel, but the mandolin and melodica are back and bring a weird drumcomputer that has been stretched beyond recognition. Just like the ‘ouverture’ this is a semi-instrumental but in a completely different way. This song does have a text somewhere the end if you can understand it through all the distortion, and it’s about getting stoned, and not in the druggy way. (‘sell everything’ single version of bandcamp)
8. Coming soon 04:10
Something of the guitarnoise stays, and in comes a voice in the desert screaming about the end of time. The percussion is back at full force, and something sounds a bit mid-Eastern maybe. The song is about struggling with Christian ideas about the end-times.
9. Swords into plowshares 04:39
The mandolin is back for a more folky song about a world without war or weapons that still is rather experimental.
10.Poverty nor richess 05:12
And with this the weirdness is really back in full force. What could go wrong with only 2 chords and a bible-verse, and an arrangement of acoustic guitar, piano, melodica, percussion and vocals, one could ask. Well, apart from the content of the bible-verse from proverbs that maybe isn’t quite middleclass, the chords are not usually used together and form some kind of C-altered scale together. And then there is that manic shamanic-sounding background-vocal, and those free-jazz chaos parts. Ah and the percussion is an actual shamans frame drum. I don’t think I would dare (or even be able) to even make such a song anymore, but it’s certainly interesting to listen again.
11.Drummers and drumcomputers (psychedelic folk mix) 03:13
This is another live-favourite that has had a lot of different version, and finally we have jumped from heavy theology to a protest song about the downsides of our technological society. This should have become the first recorded version, but it evolved a bit before it was finished and lost the electronic beat that featured the demo-versions and some live-versions. This also has some nice harmonica bits played by Bram Beels that were recorded in Sweden! (very crappy live webcam version with beat and guitar here on youtube)
12.Love and mistakes 03:31
And with this song we close the B-side of the LP, and we finally get rid of sarcasm, the harsh demands of reality and the clash betwee and our world and anything that makes sense, to find rest in Love with this soft song erupting in a quiet post-rock like instrumental part. Surely, it’s still a bit rough, lo-fi and unconventional still, but only those who hate grace and forgiveness will be uncomfortable with this one…
It isn’t the closing song if you download the whole album btw, there are 2 bonus tracks for those who download the whole album. The first one is the poppy fun protest song that should be well-known to older fans, and the second one, called ‘new moon’, is a rather extatic improvisation with the mandolin/melodica/percussion instrumentation.
So check my bandcamp Saturday if you want more!