Category Archives: music

‘Sell everything you have and give it to the poor’ bandcamp single


The electronic 2-song Bram Cools bandcamp single ‘Sell everything you have and give it to the poor’sell everything has been released today. It features an unheard version of a live sing-along classic that has no definitive recorded version to date, and a semi-instrumental B-side called “Stephen, they’re gonna stone you to death!”

If you like the song you can download it, share it, or very easily learn to play it yourself (the whole song is based on different combinations of G, C and D).

The single was originally supposed to be the fore-runner of the never-finished album ‘Happy Christian Music for the Conservative Middleclass’ from the late ’00’s which is still unfinished at the moment but might resurface one day. Other songs from that album are the rather scary ‘I was hungry‘, a different version of ‘gentiles‘, and this ouverture.

Sell everything you have and give it to the poor (Bram Cools)

G C D G

a rich young man came to Jesus Christ and asked
what should I do to get life, life eternal
you know the commandments Jesus replied
do not steal, do not kill do not commit adultery
yes I do know them he said I followed them all, all of my life
Jesus said well then there’s one more thing that you have to do

G
sell everything you have
C
and give it to the poor
G
yeah everything you have
D
get rid of it
G
sell everything you have
C
and give it to the poor
G   D     G
and you shall live

Jesus said do this and follow me
and you’ll have a great treasure in heaven
but the rich young man became very sad
for he did posses great wealth on earth
and he preferred it over the life
over the life eternal

G                   C
easier it is for a camel
G                         D
to go through the eye of the needle
G                C
than for a rich man to enter
G    D      G
the kingdom of heaven

sell everything…

and if Jesus Christ would be here today
and preach the same words as he did back then in Galilee
we probably would kill him and lay him i a grave again
like good old woody sung years ago
we still don’t want to near those words
and explain them away if we read then…

sell everything…

(the chord placements are lost in this lay-out, you’ll figure out easily by listening…)

Enjoy!

Bram

PS: Find more Bram Cools music for download at bandcamp.com. (All music is currently ‘choose your price’)

Bram Cools Christmas song (or something like that…)


Good news for the few sparse Terrans who enjoy the sounds that I make under the misguiding umbrella term of ‘music’ from time to time. 2015 had seen a no really new Bram Cools music thusfar, only a release of my older Contemporary Christian Muzak, and some other old songs (like this remake of ‘last fish in the sea’, previously unheard by all except 3 or 3 humans) but no actual new songs.

badsantaDTL

The good news is that just before the new year I can proudly announce you that at least one new song from 2015 will be on my musical CV.  It even is my first attempt at something that could be seen as a Christmas song (although in the broadest sense possible of that term probably)
To make long weird explanations short: the Bram Cools song Why Should She Care (this alien feast) (also on soundcloud) is featured on the new Down The Line 2015 Christmas compilation (the bad santa edition). It might be a bit dark for a Christmas song though…

More from the Down The Line collective in the zine here.

Have a listen to all the songs, scare your grandma with them  and tell me what you thing… (yes, there’s even a krampus song in it!)

peace and happy holidays!

Bram

‘Contemporary Christian Muzak 2004​-​2007’ is finally here!


It might be 8 years too late, but here it is: Bram Cools presents ‘Contemporary Christian Muzak’ (2004-2007) is finally available as an album. (digital download only now, but if there is demand a CD-R edition might be produced too!)

So what is ‘Contemporary Christian Muzak’? It is not at all elevator music composed for use in megachurces as the name might suggest, but rather a weird lo-fi/indie project from Bram Cools with spiritually-minded songs for all audiences. The songs here are from the time when it had its live incarnation in the ‘Contemporary Christian Muzak’ collective (2004-2007). Since the band itself has not been recorded the versions here are the original demo-versions with Bram going in extreme multitrack mode sometimes, playing a whole noise-orchestra all by himself!

Weird things are going on indeed on this album. The opener ‘St-John opens’ will probably scare some people away already with its free-form impro, but don’t worry: the rest of the album will mostly contain actual songs and not just freaky soundscapes… The second song and  Bram Cools classic ‘father I am tired’ for example shows some of what can be expected: Bram in excessive multitrack with a lot of instruments, vocals and noise, and a psalm-like cry for help in this dark world. Throughout the rest of the songs we find a musical universe that is far from mainstream and will never be commercial, with very diverse arrangements, compositions to express the spiritual struggle and the search for a life centred on Love.

So give it a listen and if you like it you can download it free or at a chosen price, and share with people who might enjoy it.

peace

Bram

(And thank you for clicking!)

PS: Find more Bram Cools music for download at bandcamp.com. (All music is currently ‘choose your price’)

Traclist:

1. St-John opens 01:49
2. Father I’m tired 03:40
3. Elvis has left the building 05:10
4. Qualities 05:06
5. dead end streets 03:19
6. stones cry out 04:17
7. last words to the first Church 03:28
8. Feelings say nothing 05:22
9. the hippie song 04:40
10. Without You I’m nothing 03:46
11. not a tame lion 03:55
12. Yeshua 03:07

Bram Cools Music: new song ‘last fish’ & news about ‘Contemporary Christian Muzak 2004-2007’


(This is an adapted version of the Bram Cools Music newsletter. You can subscribe here if you want.)

A new Bram Cools song: ‘last fish’fish

A new Bram Cools song called ‘last fish’ can be listened on soundcloud now. it is actually a remake of a very old song from my early twenties, that originally appeared on a ‘limited edition’ cassette which was restricted to one copy. Even I don’t have it anymore, but this song nonetheless survived, and it kept playing in my head from time to time unlike most of the songs that I recorded once and never played live. So I decided to re-record it and I’m glad that I did.

The original was just me playing a keyboard with 2 sounds, singing a cryptic and dark text to a very repetitive xylophone-loop and some strings recorded in one session on minidisk in my usual manner at that time. I have recreated those 2 lines and added some more arrangement to fill it up some more. It’s still not the typical Bram Cools song (if such a a thing exists) but I do like the outcome a lot.

It’s quite gothic, and completely different from the songs I’m writing at the moment, but still too good not to share, and as a very atypical track it’s perfect to end a long period of silence without new Bram Cools song… I hope you all enjoy the song and share it with others who might like it.

But that’s not the big news. The big news is the following:

“Contemporary ChristianMuzak 2004-2007′ to be released soon

I did already announce in my last mail a coming electronic release of my old ‘Contemporary Christian Muzak’ songs, finally together on one album. Now I tell you that it will be released very soon, in the beginning of september.

For those still uninitiated: Years ago now I had a band called the Contemporary Christian Muzak collective (or CCMC). We tried to play some kind of experimental Christian music that did both connect to the Creator and make some interesting sounds that haven’t been used 100 times before already. Most of it was not exactly elevator music fit for a boring Christian radio station providing safe happy clappy Christian music for the conservative middleclass as the name might suggest, but rather some kind of rough folky indierock, mixed with very weird free-from noise and experimental impro-parts as well from time to time…

We only did a few concerts throughout the years (around 2004-2007) but we did have a lot of fun, and I really miss those days! But time passes and things change, and the bandmembers had families and other bands and other stuff going on, so it all sort of fell apart. Unfortunately We never did any studio-recordings as a band, and no real CD-worthy live recordings have been made either. So all that’s left is my own home-recorded multitrack-versions with mostly myself on a lot of instruments and Bram Beels on digeridoo in some of the songs. Some of these songs needed to be finished, and that has finally happened.

So stay tuned!

peace

Bram

(And thank you for clicking!)

PS: Find more Bram Cools music for download at bandcamp.com. (All music is currently ‘choose your price’)

 

Bram Cools Music: ‘Father I am tired’ + more contemporary Christian Muzak to come…


Hi readers,Mangocoffeesepia

Probably not everyone reading my blog is aware that I am also one of the most unknown musicians on the planet, but for those interested in my music, here is an update.

The Bram Cools classic ‘Father I am tired’, can now be heard and downloaded in a previously unheard version here  on my soundclcoud. Or click on the coffee if you like.
(Yes, for those who wonder: all instruments and vocals -including the choir!- are just Bram in this one!)

The rest of the news is that this upload of ‘Father I am tired’ can be also seen as the first ‘single’ announcing a coming electronic release of the old ‘Contemporary Christian Muzak’ songs, finally together on one album! This should have happened 5 years ago, but still it’s better soon than never.

For the uninitiated: Years ago now I had a band called the Contemporary Christian Muzak collective (or CCMC). We tried to play some kind of experimental Christian music that did both connect to the Creator and make some interesting sounds that haven’t been used 100 times before already. Most of it was not exactly elevator music for a boring Christian radio station providing safe happy clappy Christioa music for the conservative middleclass as the name might suggest, but raither some kind of rough folky indierock, mixed with very weird free-from noise and experimental impro-parts as well from time to time…

We only did a few concerts throughout the years but we did have a lot of fun, and I really miss those days! But time passes and things change, and the bandmembers had families and other bands and other stuff going on, so it all sort of fell apart. Unfortunately We never did any studio-recordings as a band, and no real CD-worthy live recordings have been made either. So all that’s left is my own home-recorded multitrack-versions with mostly myself on a lot of instruments, some of which were never finished. Finishing them is what we’re going to do now, so that in the near future everybody can listen to Contemporary Christian Muzak as much as they want…

I hope you all enjoy the song and share it with others who might like it.

peace

Bram

Bram Cools music electronic re-release: CCM II: psalms and prayers in lo-fi


(This is an update about the strange music of Bram Cools) Years ago I had a band called the Contemporary Christian Muzak collective (or CCMC). We tried to play some kind of experimental Christian music that did both try to connect to God and make some interesting sounds that hadn’t been used 100 times before already. Most of it was some kind of rough folky indierock, although we had some very weird free-from noise and experimental impro-parts as well… We only did a few concerts but we did have a lot of fun, and I really miss those days! But time passes and things change, and the bandmembers had families and other bands and other stuff going on, so it all sort of fell apart. We never did any studio-recordings as a band, and no real CD-worthy live recordings have been made. So all that’s left is my own home-recorded multitrack-versions with mostly myself on a lot of instruments. (And Bram Beels on didgeridoo sometimes) I still need to finish some of those songs, but the plan is still to have all the CCM songs available one day. But because that day will not be tomorrow, I will make some of that music available in another way:

So today we announce the bandcamp re-release of:

CCM II – psalms and prayers in lo-fi CCMIItracklist: 1. onzevader (intro) 02:30 2. dead end streets 03:17 3. the hippie song 04:28 4. not a tame lion (MiniDisk version) 03:46 5. Elvis has left the building (lo-fi mix) 03:59 6. Father I am tired (MiniDisk version) 02:38 7. stones cry out 04:13 8. last words to the first church (lo-fi mix) 03:52 9. Yeshua (MiniDisk mix) 04:28 10. qualities 05:47 11. feelings say nothing (reduction mix) 06:22 12. dood aan de graankorrel* 03:13 (* originally a hidden bonus track)

It’s very rare Bram Cools demo CD-R (on 15 copies originally) that was available only on one concert of the CCM (Contemporary Christian Muzak) collective in 2006. (Which was actually the last time we played under that name if I remember well) It does contain some classics in standard versions, and other songs in completely different incarnations, but it has most of the songs that we did play live with CCMC in one version or another. Some of those were recorded solo on MiniDisk, others were arranged very sketchily in primitive lo-fi manner…

Find more Bram Cools music for download at bandcamp.com. Or check out this older overview here on this blog.

(All music is currently ‘choose your price’) enjoy (if you’re into that kind of music…)

peace

Bram

RIP Luc De Vos, Flemish rock icon and more (with tribute-song)


ThLDVe news of the unexpected death of Flemish rock icon Luc De Vos reached me this weekend. He was only 52, and he will be missed much. Since I do not expect any of my international readers to have ever heard of him I do think an introduction to this unique artist might not be a bad idea… I’m aware that it’s impossible to even try to understand a phenomenon like Luc De Vos without being Flemish, but I can try to give a small introduction…

Growing up in Flanders means that you’re always subject to the influence of a lot of different cultures in the media, especially language-wise, more than having your own culture around all the time. Most of the music on the radio and the programs on TV were not in Dutch, but in English, or French, or in the case of TV German or Scandinavian even sometimes, subtitled in Dutch. In such a situation using your own language for art is always a bit strange, and I always has a strange connection with the phenomenon of language myself.  Music in my own language was always a bit weird too. Both standard Dutch and Dutch from the Netherlands sound a bit sterile and foreign, and people who had their own voice in my own language were rare when I was a teenager. Flemish rock in our own language was a very limited phenomenon in the nineties. Most people circumvented the problem completely and sung in English, but there were a few exceptions who did make decent rock music in Flemish, like Stijn Meuris (Noordkaap), Frank Vanderlinden (De mens) and Luc De Vos (Gorki). Together with many other bands in English they were part of the soundtrack of my younger years.

Luc De Vos always was one of the most notorious people in the Flemish scene. He was a unique musician who had found his own voice, and given a platform to do his unique stuff. His way of singing might be completely unorthodox already, but his were the strange minimalist melodies and surreal lyrics that stood out most. He could break all rules of lyric-writing, sing it in a very raw rudimentary melody, and still be played on the radio. Because for some reason it worked. I can remember hearing ‘wie zal er voor de kinderen zorgen‘ for the first time and thinking ‘What on Earth is this song’. Now it’s still one of my favorite songs of all time…

As a songwriter I can’t deny that Gorki did probably have more influence on my songwriting than I’ve always admitted, and probably not just when writing in Dutch. I also sang some of his songs regularly when I was busking with my guitar in Atwerp in you young twentysomething years (primarily to get over my anxiety of being on stage, I never made that much money with it). I can still play and sing most of his hits ‘Mia‘, ‘lieve kleine piranha‘ & ‘Anja‘ if you give me a guitar. Those songs are part of my history.

And then there’s the phenomenon of the song ‘Mia’, about which I wrote already a post some years ago. The very unlikely ‘greatest Flemish song of all times’, which was originally just a B-side. It’ a very unlikely song to be a hit, let alone occupy the first place in a list of timeless classics. And still it happened to pass that this song became the best Flemish song ever. The MIA-awards (Belgian music awards) were even named after that song.

Luc De Vos was more than that one song though. He recorded more than 11 CD’s with Gorki, and some side projects too. He also was a writer, and a thinker, and a very human person, some kind of basic humanist. A very intelligent person with very layered humor, who was constantly mocking himself, as if he couldn’t believe that people liked his music. And on the other hand a very professional musician who knew very well what he was doing on stage. A man with an opinion, and with his own vision.

A man that was way too young too die.

He will be missed.

His legacy will remain.

PS: as a tribute I decided to do one of his songs in English, so that people who don’t understand Dutch can have a glimpse of what Luc De Vos was like. (although his lyrics are untranslatable) I chose ‘wie zal er voor de kinderen zorgen’ and did not try to copy the original, but made my own version in vintage lo-fi Bram Cools style. All rights are owned by Luc and his family. But you better go listen to the original and buy the album ‘ik ben aanwezig’.